Eleanor Friedberger – Stare at the Sun and When I Knew (live)

Yesterday was one of my most anticipated days of the year, as it marked the release of the new Eleanor Friedberger album, Personal Record. Her first album, Last Summer, was one of my favorite albums of 2011, and in her live shows supporting that album, she previewed some of the material that would make up the new one, including the two songs posted today. This is, yet again, a coming attractions post. Eleanor will be at the Empty Bottle this Friday, June 7th.

Eleanor’s solo work is irresistibly catchy. It’s basically the poppy songs that the Fiery Furnaces used to produce without all of the weird Matthew Friedberger stuff. She co-wrote most of this album with John Wesley Harding. These are probably the two catchiest songs on the album.

I’ve liked the Fiery Furnaces for a long time, but I went totally into the tank for Eleanor when I saw them in June of 2010 at the Empty Bottle. My brother had flown in that morning from Anchorage for the Angels series at Wrigley Field, and he came to the show with me that night. The Fiery Furnaces hit the stage and played for an hour straight. And I mean straight, as in no breaks, not to say thank you, not to retune, not for applause. It was an hour long medley of about 25 different FF songs, with all of the crazy key and time signature changes that entails, and they didn’t miss a note. It was incredibly impressive. After playing a three song encore, the crowd began clearing out. By the time we made it to the door (which couldn’t have been more than 30 or 45 seconds) Eleanor was already sitting at the merch table. She was really sweet to talk to, and she complimented me on my Super Furry Animals t-shirt. It’s nice to listen to someone make really good music and also know that she’s a really cool person.

Below is the song that was my favorite “new” song from her live shows last year, When I Knew.

2 Responses to “Eleanor Friedberger – Stare at the Sun and When I Knew (live)”


  • I think I am definitely going to get this one. I also love how much Pfork gushed over this but somehow not Best New Music.

    I am looking forward to it.

  • Yeah, I like how “best new music” is somehow set at 8.2, which just reminds of how ridiculous it is that they go with essentially a 100 point scale. Like they can listen to something and say “ya know, this is really good, but I’m not sure it’s quite a 7.7, but I’d definitely agree with a 7.6”.

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