In preparation for listening to the new Caribou (formerly Manitoba) CD, I’ve been listening to this beaut from Up in Flames, a supremely awesome CD. The music just radiates cheerfulness and colour, largely owing to the non-stop bells and mallet percussion. Once that lifts you up, you get a full-blast of vocals that are begging to be sung by Brian and Carl Wilson. Not all their music is this poppy and accessible, but when it works, it works big time. Imagine Yo La Tengo circa Tom Courtenay as remixed by The Go! Team and produced by Beta Band. No, better. Anyway, the song had already won me over, but then I found the video. It’s super duper cutesy overload on saccharine.
Monthly Archive for August, 2007
WARNING: Creepy, expensive video to stylistic U-turn of a song from a band that appears to be taking the piss out of You Tube. For some it will be as unlistenable as the previous Song of the Day. It starts going after the first minute or so, and you might want to not watch the video. Yikes. The trolly comments on the You Tube page are priceless. One guy is just going to town on how much he hates this song.
I heard this track twice on WOXY and can’t stop listening to it. Initially, I thought it was some bizarre cover or remix of an existing song – I can’t quite explain why I thought it had the lyrics to that insipid Pink song, but it doesn’t. At any rate, I find this track super interesting for all sorts of reasons. The rhythm of the voice is entirely off and intentionally so. Syllables are stretched, repeated, and slaughtered in an almost random way. The whole meter of the song is uneven and that’s what I love. The instrumentation is dark and electronic and simmers without a hip-hop backing until the last part of the song, where it finally lets loose a danceable beat. They lyrics are funny and hedonistic, as if you couldn’t possibly take it seriously.
As most of you know, this is a genre I know NOTHING about. I don’t know the personalities, influences, or politics. What I do know is that people seem to hate Uffie (who collaborates with Justice on this track only) passionately. I’m not sure why, but I’m sure they have good reasons. It could be backlash against a young, cute, white “rapper”, whose other songs sound to me like utter disasters; but I’m not judging her music here, only her collaboration with Justice. The Indie media seems to like them enough, with many comparisons to Daft Punk. Anyway, there are some spectacularly funny rips on this track. This particular response made me laugh to no end. The article is titled The song that will hasten the worlds’ end. You have to read it after listening to the track.
I caught the last two or so minutes of the original Cars song on the radio the other night. I’d never heard the original, and I can say I don’t think the versions are coming from the same place. The Red House Painters’ version made a splash on a Gap ad a bunch of years ago. Video is here. Mark Kozalek of the House Painters has a way of making a cover of any song sound like a Red House Painters original, thus awesomely mope-a-dope.
Here’s the orginal Cars, which is not sucky, but is perhaps a weird mix of Tom Petty, Styx and what the Cars would be. Oh, it’s a Dragonball Z amine fanvid, which is incongruous, to say the least.
Does it make me a bad person if I know someone that owns the actually karaoke disc for this song (not just the video, which is in the form of a karaoke video)? Does it make me an even worse person if I’m the one that bought it? Sometimes you needs some “woos” and “ooh ooh oohs.” Seriously, eat it if you are not down with the derivative and awesome stylings of the Dandy Warhols. Marginally not safe for work- the clip is unedited, and I think I saw someone’s doodle!
Toto, I don’t think we’re in Kansas anymore.
This is perhaps the last genre of music that anybody would guess me doing a SoftD in, but I heard it on my iPod, and I can’t get it out of my head. This short-lived New Age duo made something so quintessential ’80s and funny that it didn’t seem fair not to relish in its campiness. The story is kind of funny, especially featuring a Lola(!) and the synths are full-on, but the kicker is the chorus. It’s so rhythmically perfect. A. E. I. O. U. Some. Times. Y. I think the video cuts off part of the song, but you can email Pinko and he’ll give you the full version.
Cinematic 80’s androgynous Goth wonderland. From the aptly named It’ll End in Tears. The 4AD record label house collective playing around with your heart in the studio. Your broken heart would have spread the mope-tastic contagion via mixtape to all of your friends (sadly, without privileges). Substitute “you” for “me” and “would have” for “would have, if I had known the song.” Get your mope on folks, this is our one life, live it to the mopest! This song is ultra awesome.
UPDATE– even more awesome, this is a Big Star cover from the third Big Star album, which I do not yet own.