Yesterday was one of my most anticipated days of the year, as it marked the release of the new Eleanor Friedberger album, Personal Record. Her first album, Last Summer, was one of my favorite albums of 2011, and in her live shows supporting that album, she previewed some of the material that would make up the new one, including the two songs posted today. This is, yet again, a coming attractions post. Eleanor will be at the Empty Bottle this Friday, June 7th.
Eleanor’s solo work is irresistibly catchy. It’s basically the poppy songs that the Fiery Furnaces used to produce without all of the weird Matthew Friedberger stuff. She co-wrote most of this album with John Wesley Harding. These are probably the two catchiest songs on the album.
I’ve liked the Fiery Furnaces for a long time, but I went totally into the tank for Eleanor when I saw them in June of 2010 at the Empty Bottle. My brother had flown in that morning from Anchorage for the Angels series at Wrigley Field, and he came to the show with me that night. The Fiery Furnaces hit the stage and played for an hour straight. And I mean straight, as in no breaks, not to say thank you, not to retune, not for applause. It was an hour long medley of about 25 different FF songs, with all of the crazy key and time signature changes that entails, and they didn’t miss a note. It was incredibly impressive. After playing a three song encore, the crowd began clearing out. By the time we made it to the door (which couldn’t have been more than 30 or 45 seconds) Eleanor was already sitting at the merch table. She was really sweet to talk to, and she complimented me on my Super Furry Animals t-shirt. It’s nice to listen to someone make really good music and also know that she’s a really cool person.
Below is the song that was my favorite “new” song from her live shows last year, When I Knew.
This would be another in the Coming Attractions series, as I just completed a purchase of tickets to see them on June 20th at a small venue down the street from me called Beat Kitchen. I’ve seen them once before when they opened for the Joy Formidable at a larger venue, and I just missed them one other time when they opened for the now defunct The Subjects a couple years ago. In my own defense, I missed them because the Angels were playing the Red Sox in the playoffs and I wanted to see as much of the Angels game as possible before leaving.
I was encouraged to get into these guys by the music writer for Chicagoist, Jim “Tankboy” Kopeny, with whose brother I attended law school. Their hook, aside from catchy melodies, is the third member of their band, Irene, a large reel to reel player. Lead singer Benjamin Davis also will occasionally sing into an old telephone, which produces a really cool sound in a live setting.
This song is from their self titled first album, which was released in 2009. They subsequently released an EP (Outliers). Their follow up album, The Mess We’ve Made, was released last year. It’s a little more slickly produced than the first album, maybe a little more poppy, but still shows the songwriting craft they displayed on the debut. Gold and Warm is my favorite song off of the first album.
The first of many “Coming Attractions” posts that can be found at SotD in the near future. Telekinesis will be at Lincoln Hall in Chicago on Thursday night, where I’ll be seeing them for the first time. Telekinesis is basically Michael Benjamin Lerner, though the lineup will be filled out for the live tour (Rebecca Cole of the Minders and Wild Flag will be on keys).
I’m not sure how best to describe Telekinesis other than it’s fairly generic indie rock. Like if you were putting together a presentation and you needed an example of a band that exemplifies the genre, this would be a good choice. Maybe they fall a bit on the power-pop side of things. Lerner is from Seattle, and I definitely hear some Nirvana influences, but not on the production end of things. It’s not really retro (unless ’90s is retro), garage, experimental, lo-fi, or any wing of indie rock. Sort of like Metric if the lead singer were a guy, or maybe Ted Leo just taken down a notch or so.
This is from the second album 12 Desperate Straight Lines, which is probably my favorite of their three so far. They recently released their third album, Dormarion, which is also pretty good. It’s very accessible stuff that may not really linger forever, but it’s fun while you’re listening to it, and I have a feeeling it will sound good in a live setting.